MetaSparks Videos on YouTube
Hi everyone, I've started a YouTube channel featuring my lyrical analysis of Ron and Russell Mael's songwriting for Sparks.. It's only a...
The Secret Behind Sparks’ Terminal Jive. A concept album about having nothing to say
In 1980, Sparks released an album that's unfairly considered to be a misstep, and as with anything by Ron & Russell Mael, it shouldn’t be...
SPARKS: The dark side of No.1 In Heaven
The Number One Song In Heaven, a two-part single by Sparks in collaboration with Georgio Moroder, was the first time that a rock band had...
A Meta Guide to Lil Beethoven
Sparks’ self-proclaimed “career-defining opus” is misunderstood, and I’d like you to consider another way of looking at it. Think of it...
SPARKS: A meta guide to ‘Balls’
Sparks’ career can be neatly split into two halves. For the first half they’d switch genre, hop labels and seek out new audiences in...
SPARKS: a meta guide to ‘Gratuitous Sax and Senseless Violins’
It’s my theory that Ron and Russell Mael make intricately-plotted concept albums in which the concept is a closely guarded secret. They...
ANNETTE: The easter eggs and hidden references that reveal a powerful screenwriting experiment
Leos Carax and Sparks’ modern musical is like a puzzle. It’s a thousand-piece jigsaw that leaves the audience to figure out how apes,...
Outside Within: The hidden narrative that explains ‘Annette’
Leos Carax's recent collaboration with Ron and Russell Mael has left people equally delighted and perplexed, It covers a vast array of...
A Meta Guide to Lil' Beethoven by Sparks [first draft]
Most people see 'Lil Beethoven' as a concept, but only in terms of sound and attitude. The songs on this album appear to unrelated to any...
“Mais oui, now start”: The hidden meaning in the opening song from ANNETTE.
SPARKS have just released ‘So May We Start?’, the opening song from their long-awaited musical-movie Annette, Like so much of Ron and...
From twilight time 'till dawn: What ‘Number 1 in Heaven’ by SPARKS is really about.
'Number 1 in Heaven' is far more clever than people have realised. It's been praised for its innovation and for changing what a rock band...
Only the subtext, never the text: A song-by-song interpretation of SPARKS’ songwriting
Note:This is an early draft of a theory that's now more fully developed. A more complete view of these songs are detailed in the 'A meta...
SPARKS: Why Stravinsky?
Stravinsky’s Only Hit tells a wild tale in which composer Igor Stravinsky makes a foray into pop music. He strikes big with a...
SPARKS: Why Stravinsky? - Part Two
In my last post I suggested that Sparks may be attempting to further the work of Stravinsky and other great composers, but for what...
'When do I get to sing "My Way"?' - How SPARKS created a career-spanning myth from a 90s pop-record
Sparks' 1994 comeback single 'When do I get to sing "My Way"' wasn't a hugely successful record, but it deserves a place in history as...
Sparks: What does it all mean?
I'm the kind of person that pores over the lyrics of each new Sparks release, looking for pearls of wisdom and easter eggs. New album A...
What does it all mean? Part Two - Lil' Beethoven
Part one of 'What does it all mean' can be found here. People think of Lil Beethoven (2002) as the start of a new era for Sparks, but the...
Sparks: What does it all mean? Part three - All I do now is dick around
Ron and Russell Mael are not like other musicians. Back in the 90s, already a quarter of a century into their career, they staged a comeback
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SPARKS
An analysis of Ron and Russell Mael’s experimental songwriting













